Tuesday, 6 May 2014

Pompeii

I recently watched the new film Pompeii. I’ll leave my views on that for a separate blog post. I thought, for those that have seen the film or about to do so, that it would be interesting to read an eye-witness account of the eruption of Vesuvius by the Roman writer Pliny the Younger. A small section of his account is quoted at the beginning of the film. I give below the full version, which was written in two letters to Tacitus – who was writing a history. Sadly, Tacitus’ history is now missing the section that gives his research on the disaster.   

From pp.193-198 and  200-204 of: The Letters of Pliny the Younger, Volume II, Books VI-X, Literally Translated, with Notes. Melmoth’s Translation, Revised by Bosanquest. Published in 1900 by Hinds, Nobel & Eldredge, New York.

LETTER XVI. To Tacitus.
Your request that I would send you an account of my uncle's death, in order to transmit a more exact relation of it to posterity, deserves my acknowledgments; for, if this accident shall be celebrated by your pen, the glory of it, I ­am well assured, will be rendered for ever illustrious.

And notwithstanding he perished by a misfortune, which, as it involved at the same time a most beautiful country in ruins, and destroyed so many populous cities, seems to promise him an everlasting remembrance; notwithstanding he has himself composed many and lasting works; yet I am persuaded, the mentioning of him in your immortal writings, will greatly contribute to render his name immortal. Happy I esteem those to be to whom by provision of the gods has been granted the ability either to do such actions as are worthy of being related or to relate them in a manner worthy of being read; but peculiarly happy are they who are blessed with both these uncommon talents: in the number of which my uncle, as his own writings and your history will evidently prove, may justly be ranked. It is with extreme willingness, therefore, that I execute your commands; and should indeed have claimed the task if you had not enjoined it.

He was at that time with the fleet under his command at Misenum. On the 24th of August, about one in the afternoon, my mother desired him to observe a cloud which appeared of a very unusual size and shape. He had just taken a turn in the sun, and, after bathing himself in cold water, and making a light luncheon, gone back to his books: he immediately arose and went out upon a rising ground from whence he might get a better sight of this very uncommon appearance. A cloud, from which mountain was uncertain, at this distance (but it was found afterwards to come from Mount Vesuvius), was ascending, the appearance of which I cannot give 'you a more exact description of than by likening it to that of a pine tree, for it shot up to a great height in the form of a very tall trunk, which spread itself out at the top into a sort of branches ; occasioned, I imagine, either by a sudden gust of air that impelled it, the force of which decreased as it advanced upwards, or the cloud itself being pressed back again by its own weight, expanded in the manner I have mentioned; it appeared sometimes bright and sometimes dark and spotted, according as it was either more or less impregnated with earth and cinders.

This phenomenon seemed to a man of such learning and research as my uncle extraordinary and worth further looking into. He ordered a light vessel to be got ready, and gave me leave, if I liked, to accompany him.  I said I had rather go on with my work; and it so happened he had himself given me something to write out. As he was coming out of the house, he received a note from Rectina, the wife of Bassus, who was in the utmost alarm at the imminent danger which threatened her; for her villa lying at the foot of Mount Vesuvius, there was no way of escape but by sea; she earnestly entreated him therefore to come to her assistance.

He accordingly changed his first intention, and what he had begun from a philosophical, he now carries out in a noble and generous spirit. He ordered the galleys to put to sea, and went himself on board with an intention of assisting not only Rectina, but the several other towns which lay thickly strewn along that beautiful coast. Hastening then to the place from whence others fled with the utmost terror, he steered his course direct to the point of danger, and with so much calmness and presence of mind as to be able to make and dictate his observations upon the motion and all the phenomena of that dreadful scene. He was now so close to the mountain that the cinders, which grew thicker and hotter the nearer he approached, fell into the ships, together with pumice stones, and black pieces of burning rock: they were in danger too not only of being a-ground by the sudden retreat of the sea, but also from the vast fragments which rolled down from the mountain, and obstructed all the shore. Here he stopped to consider whether he should turn back again; to which the pilot advising him, ‘Fortune.’ said he, ‘favours the brave; steer to where Pomponianus is.’

Pomponianus was then at Stabiae, separated by a bay, which the sea, after several insensible windings, forms with the shore. He had already sent his baggage on board; for though he was not at that time in actual danger, yet being within sight of it, and indeed extremely near, if it should in the least increase, he was determined to put to sea as soon as the wind, which was blowing dead in-shore, should go down.  It was favourable, however, for carrying my uncle to Pomponianus, whom he found in the greatest consternation: he embraced him tenderly, encouraging and urging him to keep up his spirits, and, the more effectually to soothe his fears by seeming unconcerned himself, ordered a bath to be got ready, and then, after having bathed, sat down to supper with great cheerfulness, or at least (what is just as heroic) with every appearance of it.

Meanwhile broad flames shone out in several places from Mount Vesuvius, which the darkness of the night contributed to render still brighter and clearer. But my uncle, in order to soothe the apprehensions of his friend, assured him it was only the burning of the villages, which the country people had abandoned to the flames: after this he retired to rest, and it is most certain he was so little disquieted as to fall into a sound sleep: for his breathing, which, on account of his corpulence, was rather heavy and sonorous, was heard by the attendants outside. The court which led to his apartment being now almost filled with stones and ashes, if he had continued there any time longer, it would have been impossible for him to have made his way out. So he was awoke and got up, and went to Pomponianus and the rest of his company, who were feeling too anxious to think of going to bed. They consulted together whether it would be most prudent to trust to the houses, which now rocked from side to side with frequent and violent concussions as though shaken from their very foundations; or fly to the open fields, where the calcined stones and cinders, though light indeed, yet fell in large showers, and threatened destruction.

In this choice of dangers they resolved for the fields: a resolution which, while the rest of the company were hurried into by their fears, my uncle embraced upon cool and deliberate consideration. They went out then, having pillows tied upon their heads with napkins; and this was their whole defence against the storm of stones that fell round them. It was now day everywhere else, but there deeper darkness prevailed than in the thickest night; which however was in some degree alleviated by torches and other lights of various kinds. They thought proper to go farther down upon the shore to see if they might safely put out to sea, but found the waves still running extremely high, and boisterous. There my uncle, laying himself down upon a sail cloth, which was spread for him, called twice for some cold water, which he drank, when immediately the flames, preceded by a strong whiff of sulphur, dispersed the rest of the party, and obliged him to rise. He raised himself up with the assistance of two of his servants, and instantly fell down dead; suffocated, as I conjecture, by some gross and noxious vapour, having always had a weak throat, which was often inflamed.

As soon as it was light again, which was not till the third day after this melancholy accident, his body was found entire, and without any marks of violence upon it, in the dress in which he fell, and looking more like a man asleep than dead. During all this time my mother and I, who were at Misenum — but this has no connection with your history, and you did not desire any particulars besides those of my uncle's death; so I will end here, only adding that I have faithfully related to you what I was either an eye-witness of myself or received immediately after the accident happened, and before there was time to vary the truth. You will pick out of this narrative whatever is most important: for a letter is one thing, a history another; it is one thing writing to friend, another thing writing to the public. Farewell.

LETTER XX. To Tacitus.
The letter which, in compliance with your request, I wrote to you concerning the death of my uncle has raised, it seems, your curiosity to know what terrors and dangers attended me while I continued at Misenum; for there. I think, my account broke off:

­'Though my shock'd soul recoils, my tongue shall tell.' [here Pliny is quoting Virgil’s Aeneid]

­My uncle having left us, I spent such time as was left on my studies (it was on their account indeed that I had stopped behind), till it was time for my bath. After which I went to supper, and then fell into a short and uneasy sleep. There had been noticed for many days before a trembling of the earth, which did not alarm us much, as this is quite an ordinary occurrence in Campania; but it was so particularly violent that night that it not only shook but actually overturned, as it would seem, everything about us.

My mother rushed into my chamber, where she found me rising, in order to awaken her. We sat down in the open court of the house, which occupied a small space between the buildings and the sea. As I was at that time but eighteen years of ago, I know not whether I should call my behaviour, in this dangerous juncture, courage or folly; but I took up Livy, and amused myself with turning over that author, and even making extracts from him, as if I had been perfectly at my leisure. Just then, a friend of my uncle's, who had lately come to him from Spain, joined us, and observing me sitting by my mother with a book in my hand, reproved her for her calmness, and me at the same time for my careless security nevertheless I went on with my author.

Though it was now morning, the light was still exceedingly faint and doubtful; the buildings all around us tottered, and though we stood upon open ground, yet as the place was narrow and confined, there was no remaining without imminent danger: we therefore resolved to quit the town. A panic-stricken crowd followed us, and (as to a mind distracted with terror every suggestion seems more prudent than its own) pressed on us in dense array to drive us forward as we came out. Being at a convenient distance from the houses, we stood still, in the midst of a most dangerous and dreadful scene. The chariots, which we had ordered to be drawn out, were so agitated backwards and forwards, though upon the most level ground, that we could not keep them steady, even by supporting them with large stones. The sea seemed to roll back upon itself, and to be driven from its banks by the convulsive motion of the earth; it is certain at least the shore was considerably enlarged, and several sea animals were left upon it.

On the other side, a black and dreadful cloud, broken with rapid, zigzag flashes, revealed behind it variously shaped masses of flame: these last were like sheet-lightning, but much larger. Upon this our Spanish friend, whom I mentioned above, addressing himself to my mother and me with great energy and urgency: ‘If your brother,' he said, ‘if your uncle be safe, he certainly wishes you may be so too; but if he perished, it was his desire, no doubt, that you might both survive him: why therefore do you delay your escape a moment?' We could never think-of our own safety, we said, while we were uncertain of his. Upon this our friend left us, and withdrew from the danger with the utmost precipitation.
Soon afterwards, the cloud began to descend, and cover the sea. It had already surrounded and concealed the island of Capreae and the promontory of Misenum. My mother now besought, urged, even commanded me to make my escape at any rate, which, as I was young, I might easily do; as for herself, she said, her age and corpulency rendered all attempts of that sort impossible; however she would willingly meet death if she could have the satisfaction of seeing that she was not the occasion of mine. But I absolutely refused to leave her, and, taking her by the hand, compelled her to go with me. She complied with great reluctance, and not without many reproaches to herself for retarding my flight.

The ashes now began to fall upon us, though in no great quantity. I looked back; a dense dark mist seemed to be following us, spreading itself over the country like a cloud. 'Let us turn out of the high-road,' I said, ‘while we can still see, for fear that, should we fall in the road, we should be pressed to death in the dark, by the crowds that are following us.’ We had scarcely sat down when night came upon us, not such as we have when the sky is cloudy, or when there is no moon, but that of a room when it is shut up, and all the lights put out.

You might hear the shrieks of women, the screams of children, and the shouts of men ; some calling for their children, others for their parents, others for their husbands, and seeking to recognise each other by the voices that replied; one lamenting his own fate, another that of his family; some wishing to die, from the very fear of dying; some lifting their hands to the gods; but the greater part convinced that there were now no gods at all, and that the final endless night of which we have heard had come upon the world.

Among these there were some who augmented the real terrors by others imaginary or wilfully invented? I remember some who declared that one part of Misenum had fallen, that another was on fire; it was false, but they found people to believe them.

It now grew rather lighter, which we imagined to be rather the forerunner of an approaching burst of flames (as in truth it was) than the return of day: however, the fire fell at a distance from us: then again we were immersed in thick darkness, and a heavy shower of ashes rained upon us, which we were obliged every now and then to stand up to shake off, otherwise we should have been crushed and buried in the heap. I might boast that, during all this scene of horror, not a sigh, or expression of fear, escaped me, had not my support been grounded in that miserable, though mighty, consolation, that all mankind were involved in the same calamity, and that I was perishing with the world itself.

At last this dreadful darkness was dissipated by degrees, like a cloud or smoke; the real day returned, and even the sun shone out, though with a lurid light, like when an eclipse is coming on. Every object that presented itself to our eyes (which were extremely weakened) seemed changed, being covered deep with ashes as if with snow. We returned to Misenum, where we refreshed ourselves as well as we could, and passed an anxious night between hope and fear; though, indeed, with a much larger share of the latter: for the earthquake still continued, while many frenzied persons ran up and down heightening their own and their friends' calamities by terrible predictions. How-ever, my mother and I, notwithstanding the danger we had passed, and that which still threatened us, had no thoughts of leaving the place, till we could receive some news of my uncle.

­And now, you will read this narrative without any view of inserting it in your history, of which it is not in the least worthy; and indeed you must put it down to your own request if it should appear not worth even the trouble of a letter. Farewell.



Friday, 4 April 2014

300: Rise of a Computer Game?

I've been looking forward to watching the sequel to 300 for a while. While there was a lot about the film 300 (and the comic it was based on) which jars when compared to historical fact, 300 is still a good film. The audience is made to care about its main characters and their fate, which makes the journey through the film more engaging and the ending all the more moving. The same cannot be said of 300: Rise of an Empire.

Yes, it’s an action packed film – but I found it difficult to give a damn about its characters. Also, it was so action packed that there seemed to be little time for a worthwhile storyline or any effective character building for the lead characters. The only characters with a lengthy back plot are Xerxes and Artemisia, both of which are completely fictional back plots intended to increase the supposed villainy, power and evil of each in the story (for instance, Artemisia was the queen of Halicarnassus and not the victim of the tragic story given in the film).

Part of the motive for this appears to be, once again, to set up the democracy and freedom versus tyranny and slavery plot-line. Similar was done in the first film but not with such a heavy hand. That becomes important when the audience has to put aside the knowledge that both Athens and Sparta had slaves and any democracy within Athens was solely for true born Athenians and not for slaves or people of foreign birth living and working in Athens. The critical quip used in many a film “all men are born equal and some are born more equal than others” is a witticism that has an unpleasant truth when applied to ancient Greece.

I find it a curiosity that the film is so unbalanced when it comes to action vs plot and character. The film is around 100 minutes long and an extra 15 to 20 minutes allowing better storytelling, making it a two hour film, wouldn't have been such a hardship.


I know people who got a kick out of the film. Their enjoyment, however, was in comparison with that of watching an action packed computer game and the similarity of the action to that in the game that ties-in with the film.   Speaking of which, here is the trailer for the computer game – which could be used as a trailer for most of what happens in the film.


Thursday, 27 March 2014

The Legend of Hercules, Not Really.

The film The Legend of Hercules is the kind of movie where I wonder why they used the name Hercules at all. In one way it is an okay action movie, if you can overlook the dull parts and a number of cliché scenes that would be more in place in a far less expensive movie production.

What I can say, without giving away any of the plot is that if you search for the myth of Hercules on the internet then you won’t learn any of the storyline of this particular film. The filmmakers seemed to have decided to completely abandon the myth and just use the name Hercules, along with the names of some of the other characters in the myth. In watching the film, I was reminded of two main areas of filmmaking of the past.

One is the Italian ‘Sword and Sandal” films, where sometimes fancy clothes and hairdos were more important than the story. In fact, some of the storytelling in this film very much borders on the style of the Sword and Sandal films.   

The other is the endlessly repeated message in American made films from the mid-twentieth century onwards, in which each Roman epic states that tyranny is wrong – a less than subtle barb at fascism, communism, and any nation seen as being of either ilk. This approach of tyranny versus democracy can still work in a film, as shown in the hit film 300 (whilst ignoring the fact that Spartans were tyrants who conquered and enslaved other people) – but only if it is handled correctly and not lathered in a bath of frothy clichés the way this Hercules film tends to do.

If all you expect from an action movie is cliché characters and occasional stylish slow motion fighting, then see this film. If you are looking for something more than that, choose something else.  

Friday, 28 February 2014

READING GREEK

Many years ago when I studied classical Greek as a student, the textbooks used were the set by the Joint Association of Classical Teachers (JACT). At first, using them was a combination of ease and yet feeling lost at times. You see, these were nothing like the previous textbooks I had seen and tried to use. An example, which is a good book but perhaps not for beginners, is Primer of Greek Grammar by Abbott and Mansfield. What undoubtedly terrifies someone new to the subject when they flick through the two hundred and twenty pages of this book is that it is mostly tables of grammatical data and small paragraphs of grammatical rules. That style of throwing an avalanche of grammatical data at a student (and little else) is from the age that the book was written in, the nineteenth century. In that century, even the books trying to provide a simple way to learn classical Greek still began with fifty to a hundred pages or so of grammatical tables. That is how it had been done for who knows how long. The latter part of the twentieth century saw many institutions trying new ways of teaching classical languages. One of those was and still is by JACT.

JACT wanted to do things differently. Instead of bombarding a student with a torrent of grammar in the hope that an understanding of the language would sink in via a monumental process of memorisation, and considering much of what was traditionally to be memorised would not even be used at a beginner’s level, they chose a core amount of grammar and vocabulary which could be learned in a different way – so that a beginner could learn to read classical Greek fairly quickly. And that is perhaps the simplest way of summing up the course: Reading Greek – which is also the name of course. The student learns the grammar and vocabulary of classical Greek by reading Greek from the very first lesson onwards. There is no need to learn a whole book of grammatical tables first or metaphorically swallow a dictionary of classical Greek. With each lesson the student is introduced to a small amount of grammar and a handful of Greek words to learn. They then translate a passage of Greek, which clearly illustrates and practises the particular grammar and vocabulary for that lesson. 

Yes, I know this sounds very similar to many language courses available today but that is only because of the brief description I have given. There are significant differences. One is the speed of learning in the sense of how quickly a student can start making use of what they have learned. The course has twenty sections with anywhere from five to ten lessons in each section. By section five, the student is reading extracts from a comedy by Aristophanes whilst learning about Socrates. I have yet to see any equivalent in a modern language course for beginners, French for example, where less than quarter of the way through the course the student is expected to read the original French of one of the plays of Albert Camus whilst learning about the ideas of Jean Paul Sartre.  Usually by one quarter of the way through a course of French the student has only become proficient in how to introduce themselves, order coffee, ask for directions, book a taxi, and so on. 

And that sums up another difference – the course teaches the student about ancient Greek culture and history in order to aid learning the language.  Unlike other language courses, it does not do this in a trivial way; one of the books (The World of Athens) is a history book written especially for the course. 

After I completed my course in my student days, I still kept my copies of Reading Greek although they were superseded by more advanced level books and I referred to them now and then whenever I needed some clarification of points from those more challenging books on the subject. Since then, JACT has produced a second edition which I was told was a significant improvement on the first edition. Over the years my temptation to examine the second edition and compare it to the first edition has come and gone and come again in a sort of circular torment. I finally gave in to that urge recently when the opportunity arose to put the two editions side by side and take a really good look. In one way, nostalgia encouraged me to be biased towards the first edition. In another way, nostalgia had to admit defeat because the second edition is genuinely far better. 

The second edition uses the same methodology as the first but is different in two ways by the revising and redesigning the main books of the course - Reading Greek: Text and VocabularyReading Greek: Grammar and ExercisesAn Independent Study Guide to Reading Greek  – to make using them easier. 

Firstly, the books are bigger and the design of the text has been laid out in a way easier to read and study. It may not sound like much but compared to the first edition it makes a big difference. 

Secondly, the first edition for some reason was designed with a notion that the student had a prior grasp of Latin and therefore some aspects of classical languages were not approached in a gentler way for the beginner; the second edition dispenses with that notion altogether and is written as if the student is learning any foreign language for the first time. Consequently, a lot more space is given at the beginning of the course to acquaint the reader with relevant terminology of grammar (in English) before explaining the equivalent grammar in Greek.     

In line with all this, the opportunity was taken to revise and update the history book, The World of Athens: An Introduction to Classical Athenian Culture (Reading Greek), into a second edition and for it to be published in a format matching the other books. JACT have also retired their single tape cassette for the course by recording a newer version which is a two CD set, Speaking Greek CD (Reading Greek). 

As a student, when I used the first edition, I was very glad of its existence. Now, having seen the second edition, I wish it had existed when I was student. But it did not; so hard luck on me.  

Tuesday, 18 February 2014

Second Hand Book Inquiries

This is just a brief blog post regarding people who contact my website, or myself directly, wanting to sell me second hand books for my bookshop.  For some reason, I do not know why, there has been a recent increase in such inquiries from the general public and it is becoming unmanageable. And so, to reduce such inquiries, please note that I only ever buy books from authorised suppliers and not from the general public. 
The contact page of my website will be updated with a similar request. 


Friday, 14 February 2014

1000 Years of Annoying the French by Stephen Clarke

Sometimes you might notice a book about history that takes an angle of being idiosyncratic in some way.

The title may suggest humour or what the publishers like to quote on the back cover from unnamed sources as being “an irreverent” look at history. Upon reading the book, reality quickly hits home with how the promise of humour by the quirky title bears little relation to the mostly unfunny text inside. It is not far from being like the “click bait” used on newspaper websites to make readers click through to what appears to be an interesting piece of news that only turns out to be a space filling non-news story. And nothing kills interest in attempting to read all of something than when it turns out we’ve been misled as to the true nature of the article – or book. I am not saying that everyone is disappointed by such books; such books are in fact a good read and the target audience value them. Even so, there is a margin of people who buy a copy and then give it away on the basis that it wasn’t what they were led to believe. You would think that publishers would be concerned by this but no, they are not. Publishing has a long history of marketing books beyond their target audience in order to maximise profit. One way is to jazz up the title and cover. 

Another type of history book is the one that genuinely does its best to be funny. Unfortunately, reading some of these can quickly become a tiresome experience. There are many reasons. One is if the humour is forced; sometimes over-forced. The style of writing seems to overstate that a joke has been made. Long ago, one of my university tutors described the style to me as being like a command: “I have made a witticism, YOU WILL NOW LAUGH!!!” And like that last sentence that is what the style sometimes contains; lots of unnecessary exclamation marks and phrases in upper case characters. 

Wading through this lottery of popular history paperbacks can therefore be hit or miss for people who are only dipping into the subject for entertainment. If you are among those, then there is a book I highly recommend. It is so good some of you may have already read it. 

It is 1000 Years of Annoying the French by Stephen Clarke. The title does not even begin to relate how funny the book is to read. Although the title suggests a somewhat anti-French approach to the subject of history, that is not the case. Clarke bursts the bubble on many British and French myths about the history of those two countries and their relationships over the past one thousand years. The strength of the book, the strength of the humour, is that Clarke’s style and his ability as a writer is that of a genuinely funny raconteur. The book begins with William the Conqueror, explaining that he was not French and how he greatly disliked the French, and finishes on the Channel Tunnel and the realities of the English and French relations behind its creation. 

It is a thick book with six hundred and eighty-six pages but it does not seem like it as you read it. The saying “time goes quickly when you’re having fun” very much applies to this book.  

Friday, 27 December 2013

Goodbye LaBaL


The LaBaL was a 'Now and Then Quarterly Magic Magzine' (magazine-fanzine) published by Al Smith, and which ran for ten years. It was the successor to Abacus. It featured news, opinion, articles, opinion, magic tricks, opinion, reviews, opinion and more.

In 2013, Al announced he was retiring The LaBaL - perhaps for a new publishing project. In its last issue (October 2013), Al included a thank you to all those that have contributed articles regularly over the years. It is worth repeating that list here (in alphabetical order):

Ian Barradell, Steve Cook, Roger Crosthwaite, Roger Curzon, Eddie Dawes, Keith Downs, Peter Duffie, Alan Francis, Alan Gardiner, Brian Glover, Paul Gordon, Tony Griffith, Paul Hallas, John Helvin, Mike Hopley, Justin Higham, Paul Ingram, Jack Jansen, Lewis Jones, Peter Kane, Walt Lees, Phil Ogden, Jon Racherbaumer, Nick Trost, Stephen Tucker, Chris Wardle and Roger Woods.

I, for one, shall miss the magazine.

Friday, 12 July 2013

Genuine Web Links

I've received a number of messages from people stating that they thought they were connected to me on Facebook - only for them to find that the person(s) involved were just using my name. I can't imagine why anyone would do that where my name is concerned but apparently they have done. Therefore, I thought it might be best to list the sites I do use and provide the correct links.

My website: http://johnhelvin.net
MySpace (Please note that I seldom use this account these days)

I do have a Google+ profile but do not use it much.

I have been trying out Vizify but have not been impressed as yet; it seems to generate random errors in the data it presents on its pages.


Tuesday, 14 May 2013

LIMITED EDITION PRINTS NOW ON SALE

The prints of my pen and ink portrait of Tommy Cooper went on sale this week. I was pleasantly surprised by the prints; it is possible to see the varying tones of black made by the ink wash used on the larger dark areas  and even some of the brush marks. I had not expected that detail to show but it does; it is almost like looking at the original.
At present there is one on auction on Ebay with a starting price lower than the actual retail price. Visit the auction by clicking here.
Alternatively, full price copies can be bought on my website; to visit the page click here.
    

Wednesday, 1 May 2013

LIMITED EDITION PRINTS - TOMMY COOPER

Within a week or so the first of a series of limited edition prints will become available for sale. There will only be fifty copies of each one, making them an extra special collector's item. Each print will come with a letter of provenance from me. Each print will be printed on art paper and signed by me (and dedicated to the purchaser if so wished), ready for mounting and framing. 



More details to follow soon.