Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Sunday, 7 June 2009

Being Awkward About Exhibitions

The Youtube videos of my pen sketches of magicians and the few details about the exhibition to feature them has led to my receiving various communications, most frequently involving four types; therefore, I thought it best to address them here.

The first is from the people being very kind and paying me compliments about my art. I have tried to answer the emails of as many of you as I can but the point has been reached where all I can sensibly do is say thank you to everyone by using this blog and apologise for not being able to directly contact all of you.

The second is that many people have asked if they can buy some of the portraits featured in the Youtube videos. The answer is a polite no; they have been commissioned and therefore unavailable.

The third is regarding those asking to host an exhibition of my work. These inquiries have been of the kind where someone wishes to host an exhibition of my work on the premise that I only receive any form of payment if any of the artwork sells. The answer to all and any inquiries of that sort is a polite no. My artwork for others is done on a commissioned basis only. I am commissioned to do a project, I complete the project and I get paid. Whether or not someone exhibits the final project is up to them. I will not be involved by that stage. That is what is happening with the Magicians project. I will not be attending any of the venues of the exhibition. Should a client make a profit in selling any of the artwork commissioned then that is fine with me; that is what happens in the art world anyway. (Anyone wishing to commission art work is welcome to contact me but I advise them to be sitting down when they hear the price.)

My reasons for working this way are many but here is one of them which is self-explanatory. Take a look at this picture:

It is a study in pencil of a bronze by Rodin. This was one of thirty such studies of sculptures by Rodin. Note the word ‘was’. I have three left; the other twenty-seven were stolen in an exhibition. Or so I was told by the person hosting the exhibition. It was the only time I said yes to a gallery that exhibits art with a view to selling it on behalf of the artist. After much effort, I made no profit and lost twenty-seven items of financial value. It will remain the only time that I have said yes to a gallery that exhibits art with a view to selling it on behalf of the artist.

Now we move on to the crackpots, the conspiracy theorists, etc. It has reached the stage that I delete all emails and messages of this type without reading them. For those of you wondering what sort of lunacy these emails contain, I can say that the small number that I read when I first started to receive them were of a very imbecilic nature. The subsequent ones that followed were no different. It is very sad that some people have gone to the trouble to learn to read and write and yet have not bothered to learn to think, making the whole process a waste of time.

I hope that covers most people’s inquiries. Sane and sensible people are still welcome to contact me. I cannot guarantee a reply but will try my best in most cases.

Thursday, 7 May 2009

Chris Cross



Amongst all the digital hither and thither of social network sites on the internet, magician Chris Cross and I have exchanged the occasional message. This week I experienced the 'instant messaging' of Facebook when Chris contacted me about my portraits of magicians. He was interested in one of himself as a bonus feature for a DVD. A gentlemen's agreement was arrived at and here is the result. It is not in the same style as the other videos because it is not part of the same project.

For those techies who want to know the how of it, I simply used a scanner to produce digital images as I progressed through the drawing. These were then edited together to create the video. The process is an annoying one because I have to continually interrupt the drawing process; my level of concentration involves starting and not stopping until the picture is finished. Another setback is alignment of images. I was lucky in this video in that it was not too bad. One setback, despite the high resolution of the scanner, was the fading of colour. I marked out Chris' hair as brown and his tie as yellow. His hair appears red in the video and the tie is barely visible until redone near the end of the video.

I do not know the details of when the video will be available on Chris' DVD so keep an eye on his website http://www.chris-cross.co.uk/ for its availability. Also, Chris is on tour in the UK this summer so check his site for details.