A Spell Of Cards & Another Spell of Cards by Al Smith

An old proverb says “As many heads, as many opinions.” It’s an apt proverb to apply to the many different types of card tricks. For every magician that likes one type of card trick, another magician will dislike that type. Nevertheless, almost every category of card trick survives over time because of the magicians who do like them and part of that survival is the improvements and innovations created by them.

Al Smith’s two books are mostly, note the word mostly is used and not exclusively, about spelling tricks. As a writer who seems to never miss a good opportunity to employ double meanings, Al’s use of the word ‘spell’ in the titles refer to time spent with cards as much as the main type of card effects explained. So be assured that not every card effect in the books is a spelling one.

Just as with his book, Round the Square, these two books lead the reader through the principles behind the various kinds of spelling tricks in order to provide the reader with the ability to create his or her own card effects. Also, just as in Round the Square, Al puts in plenty of thought regarding the performance of each effect and not simply explaining how the effect works. And once again, where appropriate, Al provides the genealogy of an effect giving deserved credit to other magicians.

For anyone wondering about the worth of spelling tricks, you should give pause to the thought that very few of the classic tomes on card magic don’t include such card effects and The Encyclopaedia of Card Magic devotes a whole chapter to the subject. In the latest issue of The LaBaL, professional card magician and author Paul Gordon contributed a humdinger of a spelling effect called Standard Bikes and a variation on it called Standard Bikes With Aces.

For details on how to purchase copies of A Spell of Cards or Another Spell of Cards please contact Al Smith by emailing albertesmith@myway.com

The LaBaL: January Issue & Facebook Page

Just a quick word about The LaBaL. The January issue is now available. It features reviews of Joshua Jay's Magic: The Complete Course, Magicseen Magazine, David Gemmell's Pasteboard Adventures, Lewis Jones' The Magic Gourmet and Paul Gordon's The Real Secrets of Card Magic. There are articles with opinions on Magic-Con, the public's perception of magic, The Duckworth Lewis Method, Noah Kelly and Stateside News from Paul Hallas. The issue includes a number of card tricks including by Paul Gordon (here are links to Paul’s website and blog) and Chris Wardle (website).

There is now a Facebook page for The LaBaL. It has only just been created and the number of members are therefore low; it would be appreciated if you could join the page, building up the numbers and also provide LaBaL’s publisher with feedback on each issue. It is important to note that The LaBaL is not a glossy magazine; it is a combination of a magazine and a fanzine (Al Smith, the publisher, combines the words and calls it a Magzine) of professional magic in the UK and is for magicians with a serious interest in magic. Details on how to buy a single issue or a full subscription can be obtained by visiting the Facebook page or by viewing the advertisement on the links page of my website.

[The above image is copyright by Al Smith and The LaBaL (c) 2010]

Argy-Bargy Week

For those who do not know, and here I must remember that this is read beyond the shores of the UK, ‘argy-bargy’ means a heated argument. I have been caught in the middle of such debates recently on two different topics and, to my surprise, did well. I say surprise because normally I just cannot be bothered to even get involved where someone simply wants an argument. A discussion is worthwhile, lots can be learned from a discussion, but an argument is a waste of time where the only thing gained from it is negative feelings.

One topic, not discussed here, was on The Trojan War and the other was regarding the blog of Paul Gordon. Gordon is a card magician who has written many magic books. He performs magic for a living and so his books are based on years of experience. One of his blog posts made the point that his books should be read all the way through and not simply skimmed through to pick out a few tricks.

I left a comment on that blog agreeing and saying that any magic book should be read from cover to cover. Just because some books are divided into sections, sometimes trick by trick, is not an invitation to merely dip into a book instead of reading it. Gordon replied that his method of discouraging that was not to divide his books into such sections.

I thought that was that; an exchange of views in agreement and then onto the next thing of interest. I had no idea that I was inviting people's ire by writing that a magic book should be read all the way through. And so I have had a number of unwelcome arguments from people I do not personally know – but that did not stop them raising the subject with me.

Sense began to prevail when I was able to change the argument to a discussion. I put various questions to them, asking them to consider their own judgement on the matter based on those questions. Thankfully, the result was being told that they then saw my point of view or occasionally even agreed that I was right.

I am unable to give every detail but here are samples of what questions I put to them and some of the replies.

“Are the magic books you own expensive?” - "Yes.”
“Does each one cost more than an action film on a DVD?” - “Yes. A lot more.”
“Would you buy a film on a DVD and only ever watch the car chase scenes and not watch the whole film?” - “No, that would be stupid wouldn’t it? It would be a waste of money. Oh, right.”
“How much money are you wasting by not getting everything you can out of each magic book?” - “I hadn’t thought of it like that.”

“Do the magic books you own give tips on performance?” - “Yes.”

“Are those tips given all together in one section or are they given bit by bit with each trick?” - “Bit by bit.”

“So, in buying a magic book written by someone you thought was worth learning from, those tips are important?” - “Yes.”

“But by not reading the whole book you are not getting to read all of those tips, are you?” – “No.”

“And you paid quite a bit of money to learn from that person through their book?” - “Okay, I get the point.”

Gordon made his point his own way as described in his blog. More than once people have told Gordon they own a particular book he authored, he then showed them a card trick, they were impressed and ask from which of his books they could learn how to perform it and Gordon’s reply was that they had already said they own a copy.

I made my point in a similar (but non-performance) way a few times by simply pointing out what someone has missed in a book. One example is that after having won over someone to the view that the whole of a magic book should be read, the discussion turned to the subject of MacDonald’s Aces and where could he read any similar four ace trick. I pointed out he had already named a book he owned that has a four ace trick with a similar presentation, And a Pack of Cards by Jack Merlin (under the heading “My Favourite Four Ace Trick”). He then admitted that he only read the sections on card sleights to learn them but did not read any of the cards tricks in the latter half of the book.

There is another aspect to be mentioned and it can be summed up by something that Walt Lees said to me in an email back in May of this year. At the Bristol Day of Magic I bought a copy of Revelation by Dai Vernon (thank you to Paul Cooke of Magic Books By Post). I emailed Walt and said I had a copy but had not begun to ‘read it’ due to illness. Walt, very correctly, was quick to chide my poor choice of words. Revelation was not a book simply to be read, it was to be worked through. And there we have a statement that highlights an important ambiguity of the word ‘read’. Someone can say they are reading a book on origami but what they mean is that they are working their way through the book, making the paper models. The same goes for any book on the subject of how to do something, including magic tricks.

Reading a magic book from cover to cover involves going through each magic trick step by step with the props/cards/coins in hand, learning each and every trick. At the end of that the reader will know enough about the book to judge which tricks suit him/her and whether or not the book is a good or bad magic book. Can you imagine a modern author of fiction being told that the plot of their latest novel is not any good based on reading only ten pages of it and not the whole book?

Every now and then I buy a magic book at a very cheap price. The person selling it made the price low because they thought the book was not very good, despite the good reputation of the author or title. They usually say something like they “tried reading it but didn’t get much out of it.” I have yet to buy a magic book on this basis (and read it and work though it) that did not turn out to be a gem.

I have been described as an omnifarious bibliophile and so to me the idea of someone buying a book and not reading it cover to cover is just plain sacrilege. Perhaps, due to that, you might choose to ignore my view but on the view of Paul Gordon and Walt Lees consider this notion. Their career is magic. Full time. It is their day job and not their hobby. Both are successful. Walt probably has more experience and knowledge on magic than ten or twenty randomly chosen magicians put together. Based on that ask yourself this: Would it be smart to take their advice on how to read a magic book and dumb to ignore it?